Czechoslovakian Wolfdog of Lunar Lupus Filmwolves backlit in a clearing

Ligist · Styria · working across Europe

Trained wolfdogs for film, television and photo production.

We supply Czechoslovakian Wolfdogs for shoots, stills and appearances — with our own handling on set and animals from our own FCI/ÖKV kennel. No CGI, no prop, no rented animal.

Breed
Czechoslovakian Wolfdog
Handling
by us alone
Kennel
vom alten Wolfsblut, FCI/ÖKV
Travel
since 2022 100 % electric

What you book: trained Czechoslovakian Wolfdogs from our kennel “vom alten Wolfsblut”, accompanied by their own handlers. The animals are not rented out — we come with them. Where: We are based in Ligist, Styria, we work across Europe, and since 2022 we travel 100 % electrically. What for: Feature film, series, documentary, commercial, music video, editorial and campaign photography, events, workshops as well as press and information dates. Lead time: several weeks for shooting days, and for large productions ideally from the moment the storyboard is locked. What we decline: scenes that are not defensible for the animals. We say so before we accept, not on the shooting day.

Production facts

Everything the production office needs.

So you do not have to call to find out whether we fit your schedule.

Breed
Czechoslovakian WolfdogA dog breed recognised by the FCI, bred from the German Shepherd and the Carpathian wolf. Not a wolf, not a hybrid off the market.
Origin of the animals
Our own kennel “vom alten Wolfsblut”Under FCI and ÖKV rules, internationally as from wolfblood. The animals live with us.
Handling on set
By us aloneHandling is never handed over, the animals are never rented out. We bring our own retreat area and insist that it is respected.
Lead time
Several weeksFor shooting and photo dates. Large productions are welcome from the moment the storyboard is locked.
Area covered
EuropeBased in Ligist, Styria. Since 2022 we travel 100 % electrically — including to shoots lasting several days.
Languages on set
German and English
Rights and reshoots
Settled before the first shooting dayUsage rights, buyout and possible reshoots are in the contract before the camera rolls — not afterwards.
Refusals
Before we accept, not on setIf a scene is not defensible for the animals, you hear it at the briefing. That protects your shooting days as much as our animals.

What you actually get

No CGI. No prop. A pack.

What looks like a wolf on screen is, with us, a Czechoslovakian Wolfdog — a recognised breed from the German Shepherd and the Carpathian wolf, bred and trained in our kennel vom alten Wolfsblut. The animals live with us, know us, and only go on a set with us.

That is exactly why we can say in advance what a scene needs — and what it would cost the animals. This is not a matter of attitude, it is arithmetic: an animal that stays calm because it can see its person does not need twenty takes.

Anyone who has ever lost a shooting day because an animal would not play along knows what that difference is worth.

Czechoslovakian Wolfdog of Lunar Lupus in an editorial pose outdoors
vom alten Wolfsblut · FCI/ÖKV

How it runs

From enquiry to take.

Four steps, no surprises on the shooting day.

Take 01

Briefing

You send the scene, the location, the date and what the animal is meant to do. We tell you what works — and what does not.

Take 02

Planning

Travel, rest areas, handling and, where needed, usage rights for picture and sound.

Take 03

On set

We arrive with the animals and our own retreat area — and stay until the take is right.

Take 04

Afterwards

You get what was agreed. Reshoots and buyout are already in the contract.

Behind the scenes: Czechoslovakian Wolfdog with his handler away from the camera

Selected stills

The pack on camera.

Czechoslovakian Wolfdog turned to the light, editorial look
EditorialLigist
Czechoslovakian Wolfdog in the studio against a dark background
StudioStyria
Czechoslovakian Wolfdog head on, a calm look into the camera
PortraitEurope
Daniel Angerer with a Czechoslovakian Wolfdog
Daniel Angerer · Owner of the Pack

Who stands on set

Someone who does not hand over.

Daniel Angerer runs Lunar Lupus e.U. from Ligist in Styria. He is president of the Wolfhundeclub Österreich and breed representative for the Czechoslovakian Wolfdog in Austria. The kennel vom alten Wolfsblut works under FCI and ÖKV rules.

Working with dogs runs in the family — from search and rescue work through the Österreichring in 1984 to the film set. Since 2022 we have been travelling 100 % electric : to shoots, to shows, to training.

Between mid and late 2027 we are also building Lunar Lupus into a training centre. Whoever books today books the pack — the school follows once it is ready.

About · Heritage · The life behind it

End credits

Where our animals have already stood.

Documentary
National Geographic · ARTE · ORF Universum
Music video
several productions
Studio productions
series and films that ran on Netflix, HBO and Amazon

We name contexts here, not titles: production contracts are rarely public, and we do not claim credit for anything we did not work on. Which production stood for what we clarify in conversation — and you get the same precision in the scheduling.

Frequently asked questions

The short answers.

Are your film wolves real wolves?

No. They are Czechoslovakian Wolfdogs — a dog breed recognised by the FCI, bred from the German Shepherd and the Carpathian wolf. Our animals come from our own kennel “vom alten Wolfsblut” and hold FCI/ÖKV papers.

How do you book wolfdogs for a film production?

You send the scene, the location, the date and what the animal is meant to do. Within a few days we say what of it is workable and what is not, and then quote on that briefing. There is no flat rate card, because duration, number of animals, travel and usage rights determine the effort.

Do you work across Europe?

Yes. We are based in Ligist, Styria, and we accompany shoots, stills and events across Europe. Since 2022 we travel 100 percent electrically.

Who handles the animals on set?

We do, and only we. The animals belong to our pack and are not rented out — we never hand over handling. We bring our own retreat area and insist that it is respected.

How far in advance should you enquire?

Several weeks for shooting and photo dates. For large productions, ideally as soon as the storyboard is locked — at that point what the animal does in the scene can still be shaped.

Have you worked on productions for Netflix, HBO or Amazon?

We have worked for studios whose series and films ran on Netflix, HBO and Amazon. Which titles those are we clarify in conversation — production contracts are rarely public. What we can document and name freely are the contexts National Geographic, ARTE and ORF Universum as well as several music video productions.

What does a shooting day with your animals cost?

That depends on the scene, the duration, the number of animals, travel and the usage rights. You receive a quote on your briefing. We deliberately do not keep a flat rate card.

Enquiry

Production, shoot or editorial desk?

Send the scene, the location and the date. You get an honest assessment before anyone draws up a contract.